Karmina Šilec STABAT MATER
album released
female voices and electroacoustic music
performed by ensemble Kebataola
Karmina Šilec: DATA GARDEN
cross-disciplinary project
Public body: DATA GARDEN ethnobotanical sound event Polyphonic Vortex hybrid visual scene Pharmakeia conceptional installation Recomposition We hardly ever talk about plants, and their names escape us. But our neglect does not affect them. They are...
THIN MEMBRANE demonisation
series
THIN MEMBRANE demonisation
sound installation
Nuuk, Greenland, 2025
concept and sound: Karmina Šilec
New video clip
... grand moment when the transcendent nature of the music rebuffed the crush of the indifferent fate …
The myth of Orpheus, who addressed gods by dint of music, has been one of the greatest myths for centuries. Musicians on the Titanic, who kept playing until the end and might have helped more than 2000 souls on the sinking steamer, have been recognized as the global myth of our time.
Production: Slovenian National Theatre Opera and Ballet Ljubljana
OPUS: Portret Karmine Šilec
RTV SLovenija
OPUS: Portret Karmine Šilec Darja Korez Korenčan, author: "Karmina Šilec is a versatile artist who has established herself over the last decade as one of the most internationally prominent artists in the field of musical theatre. Tonight's Opus show is dedicated to this "golden...
Karmina Šilec: OVIS
OVIS collection
documentary opera
Sheep have been central to the human story.
The key player in human history, this remarkable animal has been feeding, healing, clothing, and supporting us to prosperity and misery, to build empires and devastate landscapes, to decorate our homes and discover new continents, to build cities and create works of art.
Sheep are not just cattle waiting to become meat.
Fortuna Won’t be Fauvel’s Match!
premiere projection
Premiere projection of a new DVD Union Hall, Maribor, 22. 9. 2024 http://www.karminasilec.com/stgw_/fortuna-fauvels-match/ ...
Old man and the Sea
Grammy candidate and CD released
The recording of opera "The Old Man and The Sea," the first-ever approved operatic adaptation of Ernest Hemingway’s novel released on VIA Records August 30, 2024 and is now in first Round of Voting for the 2025 GRAMMY Awards. The opera by composer Paola Prestini and libretist...